Sunday, 30 September 2012

Porphyria's Lover


Robert Browning’s ‘Porphyria’s Lover’ is written in first person and structure of the poem is in Iambic Tetrameter. It's also been written in past tense. I think that it being written in past tense is vital to this poem as it feels as if it’s being told like a story and it then doesn't finally catch up into present tense until the end, where he says ‘And thus we sit together now’ This could be disturbing for the reader as it’s now not only a story, it’s now become the reality. At the beginning, Browning personifies the weather such as the ‘wind was soon awake’ purposely as if to sound like everything is waiting for Porphyria. A line that I think is important to the story is ‘She shut the cold out and the storm’. The reason for this is because it’s as if she gives him security and everything is chaotic until she finally arrives and sets everything calm. He sounds as if he’s insecure about her love until ‘At last (he) knew Porphyria worshipp’d (him).’ At this point, this is when the story takes a turn that isn’t expected as it firsts comes across as a love story until he ‘strangled her.’ This comes just after he realised she loves him and so gives the impression that because he finally knows this, he has to keep the moment and by doing that, all he can think of doing is killing her. He can be seen to be a romantic killer. He also describes her hair as ‘yellow’ and ‘string’ which is used to describe as rope. It’s almost as if he doesn't want to glorify her hair because it’s what killed her. He says that ‘(He is) quite sure she felt no pain’ which highlights that he did this because he loves her but it also sounds as if he is trying to assure himself. 
The way that he still describes her as alive after she has been killed suggests that he doesn't really want to believe that he’s killed her but that he’s just put her to sleep for a while, this is shown in the line ‘The smiling little rosy head.’ She is given life like features. In the final line, he decides to bring religion into it by saying ‘And yet God has not said a word!’ As if to say that now he has sinned, he expected to get his consequences but God has been silent. It sounds as if he almost wants these consequences for what he has done. It’s not specified who the poem is written in the point of view of, the only evidence we have is the title, it could either be written from the point of view of the lover or the husband. The use of the word ‘Lover’ suggests that this is an affair and the setting is described as if it’s a small cabin which shows that they’re sneaking around which adds to the suspicion. 

Wednesday, 12 September 2012

When I woke up, the knife was still there

What I find the most interesting about this short story, is the vagueness of it.It allows the reader to discover and create the story. It's insinuated that the knife was used as some kind of weapon but it's been left uncertain whether this is a physical or metaphorical use of the knife. It could be a metaphor for being stabbed in the back or it could be the literal sense of being stabbed. The shortness of the story challenges the reader because it's not the traditional structure of a short story and leaves them with more questions than answers. The way 'the knife' was written sounds as if it's a specific knife rather than any knife, this makes it key to the story. The use of the word 'still' creates the sense that the narrator is surprised that it's still there, as if it should have been removed, which suggests it shouldn't be there so therefore makes it suspicious. They use 'I', which makes the story sound personal to the narrator, which makes it more personal to the reader.